My research focuses on “the creative role of the performer through the creation of new works for guitar by non-guitarists composers”.

 

In the Greek language the word for interpretation is (“ερμηνεία” = erminia). The word comes from the Ancient Greek God Hermis (“Ερμής”). Hermis was considered the herald of the gods, responsible to deliver their divine message. “Erminia” today is the word we use for interpretation meaning that the performer is responsible for delivering the message of the composer, the creator of music, and communicating the intentions with the audiences. This research project aims to challenge the perception of the performer considered in most circumstances as the interpreter and aims to distinct his creative side that remains resilient. The findings are intended to broaden the understanding of contemporary collaborative practices in the compositional process for the guitar. The research material (commissioned works) will not only extend the guitar repertoire into new and exciting territories but will also test the technical possibilities of the instrument. 

 

As part of my proposed practice-based research, I aim to collaborate with leading composers from Brazil, Australia, New Zealand, Spain, United Kingdom, and Greece. These high profile composers have influenced me with their music and artistry. Having researched their compositions, I am familiar with their musical language and this is the reason why I feel, I should collaborate with them. Their musical style and language challenges in many ways the traditional guitaristic style of writing. Even though their musical aesthetics and idea of sound vary from one to another I am interested to research my role in the process of the creation in so many different styles of musical expression.